런웨이브 원터치 자동텐트

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=2096209720

골격 기본 register 를 그대로 두고 샷만 얹었습니다.

연출 반영됨 요구한 카메라 3대가 샷 목록으로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a young Korean man in his 20s-30s, athletic build, short neatly groomed hair, calm and confident demeanor. 100% match.
@Image2 — the product: a green-and-orange dome-shaped one-touch pop-up camping tent with a semicircular front entrance, small printed "LEWWE" text on the fabric. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up, for facial consistency.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 120 cm tall and 100 cm across at the base when popped up, packing into a flat disc roughly 60 cm across — the packed disc measures about three open-hand-spans wide, and once popped up it must never look larger than a garden shed doorway.

LOCATION:
a grassy clearing beside a wooded hiking trail, open sky overhead, a worn dirt path visible leading off between the trees.

FIRST FRAME:
0.0s — a high-altitude aerial drone rising until the entire campsite and the popped-up dome tent read as a small shape against the clearing and trail below, the person centred at medium distance, already cradling the packed tent disc against his chest with both forearms, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. He opens straight into what he wants to say — no preamble, no greeting. Shot as: a high-altitude aerial drone rising until the entire campsite and the popped-up dome tent read as a small shape against the clearing and trail below
3–8s — He raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: unclipping the fabric strap around the folded disc with one hand while the other hand holds the disc steady, the loose strap left dangling from his fingers as the shell springs open
8–11s — The camera pushes in on the product as the dome-shaped shell springing open into its full rounded form, its semicircular entrance flap coming to rest facing the trail so the result is unmistakable — it stays on it rather than cutting away. Shot as: a second drone circling in a slow orbit around the tent, keeping it centered while the surrounding trees and clearing sweep past behind it
11–15s — He lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the flat disc leaps open into a full standing dome in under a second, the frame ring settling with a soft springy shudder and the fabric going still He lands the closing line as he does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a third drone descending and closing in from a distance, approaching the man until it settles into a close conversational framing on him at the tent's entrance

DIALOGUE:
0–3s — "도착하자마자 눕고 싶었는데"
3–8s — "혼자 텐트 치는 거 진짜 자신 없었거든요"
8–11s — "근데 이거 던지듯 펼치니까 삼십 초 만에 그냥 서더라고요"
11–15s — "짐 내리고 바로 안에 누웠어요"

PERFORMANCE:
LINE_1 — wants to set up the exhaustion honestly, not for pity but to make the payoff land; delivered with a small exhale, eyes scanning the campsite as if just arrived.
LINE_2 — admits a real worry to the listener like a confession, half a laugh at himself; slight shrug, brow lifting.
LINE_3 — this is the discovery, so he turns it outward, gesturing toward the tent as it's already standing; voice picks up pace with genuine surprise.
LINE_4 — quiet satisfaction handed to the viewer as fact, not a boast; he glances toward the tent's entrance and settles his shoulders, relaxed.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Dome-shaped shell of ripstop nylon over a coiled spring-steel frame ring, light enough to lift with one hand.
- The whole structure snaps outward into shape the instant it's released from its folded disc, frame ring flexing but never buckling.
- Fabric panels billow slightly and settle as air escapes through the semicircular entrance opening.
- NEVER: the tent must never inflate like an air mattress or require any pump, motor, or powered mechanism to take shape.
- Scale is fixed: about 120 cm tall and 100 cm across at the base when popped up, packing into a flat disc roughly 60 cm across — the packed disc measures about three open-hand-spans wide, and once popped up it must never look larger than a garden shed doorway.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of the open clearing — birdsong, a light breeze moving through leaves, distant footsteps on the trail. The tent frame gives a light springy snap-and-shudder as it pops open, fabric rustling as it settles, and his own footsteps and breathing are audible under the spoken lines, which stay the loudest thing in the mix.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a high-altitude aerial drone rising until the entire campsite and the popped-up dome tent read as a small shape against the clearing and trail below Middle — a second drone circling in a slow orbit around the tent, keeping it centered while the surrounding trees and clearing sweep past behind it Ending — a third drone descending and closing in from a distance, approaching the man until it settles into a close conversational framing on him at the tent's entrance These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
a loose fabric strap dangling from his fingers