순이의신발장 여성 런닝화

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=2384299661

STYLE register 를 이 촬영 방식으로 갈아끼웠습니다 — photoreal cinematic aerial commercial footage — multiple drone units shooting a runner outdoors, sweeping establishing height dropping into a parallel tracking flight and settling into a top-down overhead pass, production-grade daylight, smooth stabilized motion cutting between camera setups.

연출 반영됨 요구한 카메라 3대가 샷 목록으로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal cinematic aerial commercial footage — multiple drone units shooting a runner outdoors, sweeping establishing height dropping into a parallel tracking flight and settling into a top-down overhead pass, production-grade daylight, smooth stabilized motion cutting between camera setups. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her early-to-mid 20s, shoulder-length dark brown wavy bob haircut, slim and toned build, clean and polished appearance. 100% match.
@Image2 — the product: navy blue and pink mesh upper women's running shoes with a thick white cushioned midsole, flexible sole. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 27 cm long and 10 cm wide, women's size — roughly one and a half times the length of an adult palm, held easily in two hands. It must never look larger than her forearm.

LOCATION:
an open park running trail lined with trees, wide paved path, morning light, and an open sky overhead.

FIRST FRAME:
0.0s — an aerial drone rising over the park until the entire trail and surrounding greenery read below in one wide establishing view, the person already holding the shoe up by its heel with both hands, laces still tied and untouched, looking into the lens mid-thought as if starting a message to a friend.

ACTION TIMING:
0–2.5s — Selfie framing, the person holds the product up to the lens with both hands, using both hands to pull the laces loose and open the tongue wide before sliding her foot in, the loosened laces staying draped over the top of the shoe Shot as: an aerial drone rising over the park until the entire trail and surrounding greenery read below in one wide establishing view
2.5–4s — Her hand sweeps across the lens; when it clears she is already wearing the product, cut hidden inside the sweep.
4–6.5s — She stands back into a wider frame, steps once toward camera, then shifts her weight onto one foot, revealing planting her foot down onto the trail and pushing off through the flexible white sole as she jogs a few steps forward
6.5–9s — The camera drops to her feet as she turns them side to side, weight shifting, proving the fit in an open park running trail lined with trees, wide paved path, morning light, and an open sky overhead.. Shot as: a second drone flying alongside her at shoulder height, tracking in parallel as she jogs down the path
9–11s — Tight close-up on the thick white midsole visibly compresses and rebounds under her foot as she lands, and she keeps running steadily without breaking stride or favoring either foot, held steady before pulling back.
11–15s — She steps back up into a centred standing pose, one foot slightly forward, the product held in frame as her hero pose. She lands the closing line into the lens. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a third drone positioned directly overhead, looking straight down as she runs beneath it

DIALOGUE:
0–2.5s — "십 킬로미터를 뛰었는데"
2.5–6.5s — "발바닥이 진짜 하나도 안 아팠어요"
6.5–9s — "이 쿠션 두께 좀 보세요"
9–15s — "이거 신고는 다른 신발 못 신을 것 같아요"

PERFORMANCE:
LINE_1 — she wants to state the fact plainly, a little out of breath still, glancing down at her own feet as she says it — LINE_2 — she wants the listener to feel her relief, eyes widening slightly, a small exhale of disbelief — LINE_3 — she wants to show off the proof, tilting the shoe toward the lens with a light tap on the sole — LINE_4 — she wants to land the verdict with a warm half-laugh, shaking her head slightly like she's still convinced
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Navy and pink mesh upper flexes and creases naturally with each foot strike, breathing slightly at the seams.
- Thick white midsole compresses a few millimeters under body weight then springs back as the foot rolls forward.
- Outsole bends and twists with the runner's stride, showing visible flex grooves at the forefoot.
- NEVER: the midsole must never look rigid or fail to compress at all under a footstep — it is a soft running cushion, not a hard platform.
- Scale is fixed: about 27 cm long and 10 cm wide, women's size — roughly one and a half times the length of an adult palm, held easily in two hands. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Just open-air room tone from the park — light wind through the trees, distant birdsong, her rhythmic footsteps landing soft on the paved trail, the faint flex of the mesh upper, and her spoken lines carried clearly over it all.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed as a duplicate, or multiplied — the worn pair on camera is the same single unit shown in hand at 0s.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the hand-held intro and the closing hero pose; eyes drop to the product only during the rotation, the wear reveal and the foot-turn close-up.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — an aerial drone rising over the park until the entire trail and surrounding greenery read below in one wide establishing view Middle — a second drone flying alongside her at shoulder height, tracking in parallel as she jogs down the path Ending — a third drone positioned directly overhead, looking straight down as she runs beneath it These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
none