드리미 MF10 날개없는 타워선풍기

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=4783846961

골격 기본 register 를 그대로 두고 샷만 얹었습니다.

연출 반영됨 요구한 카메라 4대가 샷 목록으로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman, adult, slim build, long black hair, wearing black top and bottom, calm and composed demeanor. 100% match.
@Image2 — the product: a silver and beige tower-shaped bladeless fan, cylindrical minimalist body with a central digital display, no visible brand text on the body. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 100 cm tall and 22 cm across at the base — roughly five times the height of an adult open hand stacked upward, standing like a slender tower beside the bed. It must never look larger than the doorway behind it.

LOCATION:
A cozy bedroom at night with rumpled bedding, soft pillows, warm low window light, and the bladeless tower fan standing on the floor near the foot of the bed.

FIRST FRAME:
0.0s — a straight-on front angle framing her and the tower fan face-on at eye level, the person centred at medium distance, already standing upright on the floor, untouched, its display faintly lit, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting. Shot as: a straight-on front angle framing her and the tower fan face-on at eye level
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: reaching down with one hand and pressing a single button on the central digital display, the other hand resting lightly on the edge of the bed Shot as: a tight close-up on the digital display and the air outlet slit as the fabric nearby moves
8–11s — The camera pushes in on the product as the narrow air outlet slit around the tower's rim releasing a steady stream of air across the room toward the bed so the result is unmistakable — it stays on it rather than cutting away. Shot as: a side profile angle showing the slender silhouette of the tower and the airflow drifting across the bedding
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the loose fabric of the bedding and a few strands of her hair drift steadily in the airflow while the room stays audibly quiet, showing strong moving air without a matching loud sound She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a high overhead angle looking down on the bedroom, the fan and bed reading small below

DIALOGUE:
0–3s — "이거 켜놓고 자면 진짜 다른 세상이에요."
3–8s — "바람은 이렇게 센데 소리는 거의 안 들려요."
8–11s — "귀 대보면 진짜 조용해요, 이것 봐요."
11–15s — "이러니 매일 밤 켜놓고 자는 거예요."

PERFORMANCE:
LINE_1 — she wants to pull the listener into a small secret discovery, delivered with a light, confiding smile and a slight lean toward the lens.
LINE_2 — she wants to prove the contrast between strength and silence, played with raised eyebrows and a small breath of surprise as she gestures toward the airflow.
LINE_3 — she wants to physically hand over the discovery, played by tilting her head near the tower and widening her eyes as if genuinely startled by the quiet.
LINE_4 — she wants to leave the listener with a settled, warm verdict, delivered with a calm exhale and a soft, satisfied half-smile.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Bladeless cylindrical tower body, silver and beige, hard plastic and metal shell with a central digital display.
- Air is pushed out through a narrow slit around the tower's rim, so the surrounding fabric and hair drift steadily rather than snapping in a gust.
- The shell itself never vibrates or rattles — only a soft continuous airflow sound is present.
- NEVER: the tower must never show spinning blades or an open blade cage — it stays fully bladeless and rigid throughout.
- Scale is fixed: about 100 cm tall and 22 cm across at the base — roughly five times the height of an adult open hand stacked upward, standing like a slender tower beside the bed. It must never look larger than the doorway behind it.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Soft room tone of a quiet bedroom at night, the faint continuous whoosh of air moving past fabric, a single soft button-press click from the display, and her spoken lines carried clearly on top with nothing else competing.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a straight-on front angle framing her and the tower fan face-on at eye level Middle — a side profile angle showing the slender silhouette of the tower and the airflow drifting across the bedding Middle — a high overhead angle looking down on the bedroom, the fan and bed reading small below Ending — a tight close-up on the digital display and the air outlet slit as the fabric nearby moves These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
rumpled bedding