플렌느 실내 디퓨저 200ml

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=1537584297

작성기가 카메라 샷을 잡지 않았습니다 — 요구한 연출이 프롬프트에 실리지 않았습니다.

연출 미반영 요구한 연출이 프롬프트에 실리지 않았습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s, casual homewear (black tank top and shorts), relaxed and natural demeanor. 100% match.
@Image2 — the product: a glass reed-diffuser bottle with wooden reed sticks inserted, a metallic-tone cap, orange-tinted black-cherry liquid, label reads "FLrene PREMIUM FRAGRANCE DIFFUSER BLACK CHERRY". 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up: same person as @Image1, for facial consistency. Appearance only.
@Image4, @Image5, @Image6 — additional views of the same product as @Image2. Appearance only.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 15 cm tall and 6 cm across, roughly 150 ml — about one and a half times the length of an adult palm, sitting easily in one hand with reed sticks rising above it. It must never look larger than her forearm.

LOCATION:
a small entryway shelf just inside the front door of the compact one-room studio, beside the folding table and drying rack.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already cradling the glass bottle in one hand near the entryway shelf, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: holding the bottle steady in one hand and lifting two wooden reed sticks partway out with the other, then letting them rest back against the bottle's mouth
8–11s — The camera pushes in on the product as bringing her face closer to the tips of the reed sticks where the scent is strongest, breathing it in so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. her expression visibly relaxes and she leans slightly toward the reed sticks as she catches the scent right after stepping in She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "집 올 때마다 이거 하나로 기분이 확 달라져요"
3–8s — "현관문 열면 블랙체리 향이 먼저 저를 반겨주는 느낌이에요"
8–11s — "스틱 끝까지 향이 진해서 은근 놀랐어요"
11–15s — "그래서 집 가는 길이 괜히 좋아지더라고요"

PERFORMANCE:
LINE_1 — 집에 들어온 직후의 자연스러운 안도감을 전하려는 의도, 살짝 웃으며 어깨를 늦추는 작은 숨
LINE_2 — 향이 훅 다가오는 순간을 그대로 보여주려는 의도, 코를 살짝 들고 눈을 크게 뜨는 반응
LINE_3 — 예상 못 했던 발견을 시청자에게 보여주려는 의도, 스틱을 살짝 들어 보이며 눈썹을 올리는 놀람
LINE_4 — 이 향이 남긴 여운을 담담히 전하려는 의도, 옅은 미소로 시선을 살짝 내리며 마무리
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 유리 용기 안에 오렌지빛 블랙체리 액체가 차 있고, 나무 리드 스틱 여러 개가 그 안에 꽂혀 있다
- 스틱은 뻣뻣한 나무 재질이라 흔들려도 휘지 않고, 액체는 병을 기울이면 천천히 출렁인다
- 뚜껑은 금속톤 캡으로, 병목에서 분리될 때 살짝 긁히는 마른 금속음이 난다
- NEVER: 액체가 스틱을 타고 흘러내리거나 뿜어져 나오는 등 눈에 보이게 흐르지 않는다 — 향은 서서히 스며 나올 뿐이다
- Scale is fixed: about 15 cm tall and 6 cm across, roughly 150 ml — about one and a half times the length of an adult palm, sitting easily in one hand with reed sticks rising above it. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet one-room studio, the soft rustle of reed sticks shifting against the glass bottle, a faint clink as the metallic cap is set down on the shelf, and her spoken lines carrying clearly over the quiet room.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none