블랙앤데커 드립 커피머신

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=4716835183

작성기가 카메라 샷을 잡지 않았습니다 — 요구한 연출이 프롬프트에 실리지 않았습니다.

연출 미반영 요구한 연출이 프롬프트에 실리지 않았습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her 20s, slim build, short bob hair, clean and calm demeanor. 100% match.
@Image2 — the product: A black drip coffee maker with a brushed stainless steel front panel, clear glass carafe with a black handle, water-level markers on the side, BLACK+DECKER logo on the front panel. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 35 cm tall and 20 cm wide, with a 1.2-liter glass carafe — roughly the height of two open hands stacked, sitting on the counter. It must never look larger than a torso-height cabinet appliance.

LOCATION:
a bright home kitchen counter with tidy dishes and a mug nearby, morning daylight coming in through a window behind the coffee maker.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already standing beside the coffee maker with one hand resting near the control panel, not yet touching it, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: pressing the single black brew button on the front panel once with one finger, her hand lifting away immediately after and returning to rest at her side
8–11s — The camera pushes in on the product as the machine's drip nozzle releasing a steady stream of coffee into the glass carafe below it, the dark liquid rising visibly against the water-level markers on the side so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the carafe visibly fills with coffee while she finishes a small unrelated task nearby, showing the coffee is ready in the same short stretch the camera holds on her She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "아침마다 이거 하나로 십 분이 벌어져요."
3–8s — "버튼 딱 누르고 씻고 나오면 커피가 벌써 다 내려져 있더라고요."
8–11s — "이 향, 저만 맡기 아깝네요."
11–15s — "저는 이제 이거 없이 아침을 못 그려요."

PERFORMANCE:
LINE_1 — wants to hook the listener with a small brag about time saved; delivered with a quick, pleased half-smile and a light shrug, eyes flicking to camera.
LINE_2 — wants to walk the listener through the actual moment it happened; relaxed, conversational pacing, hand gesturing loosely toward the machine as if replaying it.
LINE_3 — wants to share an unexpected discovery, the smell hitting her; she leans in slightly toward the carafe, eyebrows lifting, a short genuine inhale before speaking.
LINE_4 — wants to leave the listener with a warm, settled verdict; calmer tone, small nod, faint smile held a beat longer than the rest.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Body is molded plastic with a brushed stainless steel front panel, cool and rigid to the touch.
- The glass carafe is clear borosilicate glass with a black plastic handle, showing coffee level and color as it fills.
- Water poured into the tank is heard trickling, then dripping steadily into the carafe with a soft, repeated patter.
- NEVER: the carafe never bends, wobbles like plastic, or shows coffee splashing upward out of it.
- Scale is fixed: about 35 cm tall and 20 cm wide, with a 1.2-liter glass carafe — roughly the height of two open hands stacked, sitting on the counter. It must never look larger than a torso-height cabinet appliance.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Diegetic sound only: the quiet hum of the kitchen, water trickling faintly inside the machine, then steady dripping into the glass carafe, the soft click of the brew button being pressed, and her voice carrying over all of it as the loudest sound.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a mug on the counter near the machine