오아 O2 미니 공기청정기

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=3985539501

STYLE register 를 이 촬영 방식으로 갈아끼웠습니다 — photoreal indoor multi-camera coverage — four fixed setups cutting between a wide establishing shot, a straight-on product shot, an extreme macro on the indicator light, and a high-angle shot of her sleeping; each shot static or minimally moving, natural apartment lighting, no crew or rig visible in frame.

연출 반영됨 요구한 카메라 4대가 샷 목록으로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal indoor multi-camera coverage — four fixed setups cutting between a wide establishing shot, a straight-on product shot, an extreme macro on the indicator light, and a high-angle shot of her sleeping; each shot static or minimally moving, natural apartment lighting, no crew or rig visible in frame. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s, slim build, medium-length brown hair, calm and natural demeanor. 100% match.
@Image2 — the product: a white cube-shaped air purifier with rounded edges and a circular perforated pattern surface, no visible logo or text, compact size. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 20 cm tall and 20 cm wide, a compact cube — roughly the length of an open hand across its face, sitting easily on the folding table. It must never look larger than a forearm's reach across it.

LOCATION:
a compact Korean one-room studio at night, the cube-shaped purifier sitting on a small folding table near the bed, drying rack and tight storage visible in the lived-in space.

FIRST FRAME:
0.0s — a wide static shot taking in the whole one-room studio — bed, folding table and the purifier all readable in one frame, the person centred at medium distance, already resting untouched on the folding table beside the bed, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting. Shot as: a wide static shot taking in the whole one-room studio — bed, folding table and the purifier all readable in one frame
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: reaching over with one hand and pressing the single power button on its top surface once, the finger lifting away right after Shot as: a high-angle shot looking down on her sleeping in bed, the purifier visible on the table nearby
8–11s — The camera pushes in on the product as the perforated front panel facing into the room, quietly drawing air in and releasing it through the same perforated surface toward the bed so the result is unmistakable — it stays on it rather than cutting away. Shot as: a straight-on shot facing the cube dead-on, filling the frame with its front perforated panel
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the indicator light glows steadily through the night shot and into the morning, and she wakes, breathes normally and touches her throat without reaching for water She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: an extreme macro shot on the small indicator light on the cube's surface, its glow filling most of the frame

DIALOGUE:
0–3s — "이거 틀고 자니까 진짜 신기한 일이 생겼어요"
3–8s — "창문 닫고 자면 아침마다 목이 칼칼했는데 이건 켜두면 목이 뽀송해요"
8–11s — "일어나서 물 안 찾은 거 진짜 오랜만이에요"
11–15s — "자취방엔 이거 하나면 될 것 같아요"

PERFORMANCE:
LINE_1 — she wants to hook the viewer with genuine surprise; delivered with raised eyebrows and a small startled laugh, glancing toward the purifier.
LINE_2 — she wants to make the listener recognize their own morning; said plainly, touching her own throat lightly to underline the change.
LINE_3 — she wants to hand over the discovery as a small triumph; said with a half-laugh, shaking her head at herself.
LINE_4 — she wants to leave the listener with a clear verdict; said with a settled nod, calm and certain, not hyped.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- a compact white plastic cube shell with a densely perforated front panel, sitting still and self-contained on the folding table\n- inside, only a quiet fan and filter draw air through the tiny holes — no liquid, no mist, no visible moving parts on the surface\n- the surface stays matte and unchanged all night; the only visible activity is the small indicator light\n- NEVER: the cube must never emit visible mist, steam or spray — nothing airborne is ever visible leaving its surface
- Scale is fixed: about 20 cm tall and 20 cm wide, a compact cube — roughly the length of an open hand across its face, sitting easily on the folding table. It must never look larger than a forearm's reach across it.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of the quiet studio at night, the faint whisper of air moving through the perforated panel barely audible under the room tone, soft bedsheet rustle as she wakes, and her spoken lines carried clearly on top.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a wide static shot taking in the whole one-room studio — bed, folding table and the purifier all readable in one frame Middle — a straight-on shot facing the cube dead-on, filling the frame with its front perforated panel Middle — an extreme macro shot on the small indicator light on the cube's surface, its glow filling most of the frame Ending — a high-angle shot looking down on her sleeping in bed, the purifier visible on the table nearby These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
a folding table